(1) Here's the eye for the fella and for the camera. I've painted both on the inside with Tamiya Clear colours and blocked in the dividing areas between each lens on the outside in black.
(2) The curse of studio lighting strikes again. The chappie varies a lot even in the very brief time he's seen on-screen due to all the moody lighting. The clearest shot you goet of him lit properly is when Anne spies him outside the house and he seems to be quite a salmony flesh tone. You can just about see it as highlights in this still.
(3) So, here he is based in Games Workshops "Dwarf Flesh"
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